A matter of fact, not fiction

The case for storytelling in MR is not an argument for style over substance, says former Royal Mail researcher Caroline Florence. It’s about turning solid insights into real action.

The number and variety of responses to Anderson’s question were illuminating. To some in our industry it would seem that storytelling is the antithesis of scientific, objective, rational research practice and should be avoided at all costs or risk accusations of style over substance.

“Stories matter to the future of our industry. If done well, there can never be too many of them. Good stories that stick in the mind offer a good return on insight investment – in turn driving the growth of our sector”

But inherent in that line of thinking is a misconception about what good insight storytelling is. Yes of course solid, robust research and analysis is critical, but it is not enough. Those are just hygiene factors which on their own do not create the excitement, interest and engagement required to turn good insights into solid action. Evidence only truly matters when it is processed, translated, acted upon and moved across businesses. And neuroscience demonstrates that information is most effectively assimilated through stories.

Antonio Damasio, author of Descartes’ Error, writes that: “The problem of how to make all this wisdom understandable, transmissible, persuasive, enforceable – of how to make it stick – was faced and a solution found. Storytelling was the solution – storytelling is something brains do, naturally and implicitly. It should be no surprise that it pervades the entire fabric of human societies and cultures.”

Brain imaging shows that humans are hard-wired for stories, to give meaning to information and to help foresee consequences so that we can plan to act accordingly. In the absence of a good story we either switch off and run the risk of failing to act, or we make up our own stories in the vacuum created and run the risk of moving in the wrong direction altogether.

The research industry has invested significant effort in trialling new technologies to aid storytelling, such as data visualisation, videos, apps and online platforms, but these are just tools for execution and do not create commercially compelling stories in themselves.

To create stories we need to look inside to our own human applications and develop broader commercial acumen and communication skills to generate evidence-based stories that are simple, bold and brave. We are storytelling animals. We just need to build our confidence that we can apply storytelling in a commercial context.

Stories matter to the future of our industry. If done well, there can never be too many of them. Good stories that stick in the mind offer a good return on insight investment – in turn driving the growth of our sector.

Caroline Florence is the founder of Insight Narrator. She is online at www.insight-narrator.co.uk. Florence is conducting an interactive workshop using gameplay to create commercial narratives at MRS Annual Conference on 20 March. More details at www.mrsannualconference.com.

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3 Comments

NickD

It's true that there seems to be a very clear black and white division for many researchers between "fact" and "spin" - if it flows and has an underlying theme behind it, then it clearly can't be 'proper' research. And this leads to some of the most unrewarding, tedious, and frankly negative research results presentations you could ever imagine. The problem we as researchers face is that non-researchers - who are the very people who should be learning from our work - don't frankly find it a very interesting subject, and don't want to know the nitty gritty of the research. So we face a tricky balance, trying to weave together the results into something that actually resonates and makes sense, without devaluing the work done. For me, it's down to insight and context, and it's really not that difficult to combine those with 'proper' research values.

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Kathryn Korostoff

I agree with many of the points, and the article itself shows why storytelling is important. A key conclusion such as "To create stories we need to look inside to our own human applications and develop broader commercial acumen and communication skills to generate evidence-based stories that are simple, bold and brave." leaves me feeling teased but empty--following this key point with a STORY would have brought it to life and made it stick ;-)

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Craig Scott

Genius. What Caroline offers should be made mandatory for all researchers.

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